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60 Hour Film Blitz

The Director's Perspective


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The "Classic"


Why do we return to the same films?


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Freshers' Plays 2011


The beginning of March saw this year's two Freshers' Plays go up, and Yasmin Sidana reviews The Odd Couple.


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Playwriting in the Twenty-First Century

The Tribe Theatre section collaborates to create an introduction to a selection of Britain's newest playwrights.


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Costume Design Undressed


Alex Mullarky takes an insightful look into the world of costume design. Featuring an interview with Charlotte Baker.


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Walking the Line: The King of Limbs 



An Album Review


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Animal Kingdom


The Film Director reviews...


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Paper Cuts

Sophie Lealan discusses the art of the paper cut


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Artist Self-Profile: Natasha Latysheva


St Andrews artist, Natasha Latysheva sheds light on her surreal and dreamlike art


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The Modern Still Life


Celia Bryan-Brown explores.


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The 60 Hour Blitz

Profiling the 3 day film festival coming to St Andrews


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The Oscars 2011


A review of all the films nominated in the category of Best Film this year.


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UNDERROADS: World Premiere


Surrealism and audience interaction with a flooded stage as centrepiece: Siobhán Cannon-Brownlie reviews the latest completely original student production.


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Matilda the Musical
: A Stunning Success for the RSC


Roald Dahl's classic children's tale brought to life by the RSC


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Get Involved


Shayna Layton considers the worth of interactive theatre after her experience of Belt Up.


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No Words Will Reach Us


Alex Mullarky reviews the stage adaptation of Sebastian Faulks's most famous novel, Birdsong.


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Welcome to the 60s: or a Caricature of them

Ally Lodge takes a look at the touring production of the cheesiest, most indulgent musical around.


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Music Award Shows

Meaningful Music or Publicity Stunt?


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Take It or Leave It? 


 The 21st Century’s ‘Free Music’ Phenomenon


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Merry Christmas, Merry Music


A Christmas Story



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The Most Wonderful Time of The Year

The battle for Christmas #1 will not be as loud as usual.


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Beat It



Catriona MacLeod indulges her James Franco crush by investigating his new film “Howl” and the Beat Generation that inspired it.


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The Turner Prize 2010

Jenny Trent reviews the Turner Prize 2010


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Et in Arcadia Ego



Ben Cook reviews Tom Stoppard's Arcadia.


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From the Streets to the Stage: A History of Pantomime



Pantomime season is upon us again, and Alex Mullarky takes a look at how it all began.


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Spring Awakening: can a dark play be a good musical?

Spring Awakening has exploded in Scotland since August, and Ally Lodge compares the play with Just So's stunning first semester musical.


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Re-imagining Shakespeare 

What is it that inspires so many directors to bring Shakespeare’s works into the modern day?


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The West End's Premier Murder Mystery 

Cordula Schnuer experiences how theatre and thriller merge in Ira Levin's play Deathtrap.




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Spotlight: Gorillaz 



Gorillaz, The New Look, The New Sound, The New Band.



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The One We've All Been Waiting For 



Harry Potter and the Deathly Hallows: A Review


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 Into the Wild Review 

Cordula Schnuer on one you might have missed.


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From Comic-Con: The Avengers


Marvel present their most ambitious movie yet.


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Scale and Sculpture


A view of American artist Robert Therrien’s exploration of our perception of everyday objects through their representation, scale and environment.


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Kiss the Past Hello 



Lauren Lepke-Brown addresses the controversies of age restriction in the recent Larry Clark retrospective.


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A Mexican Revolution? 


Gael Garcia Bernal has been working his way into more mainstream films from world cinema, but will ethnic stereotypes hold him back?




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We'll Always Have Paris 



"You must remember this, a kiss is just a kiss...." Why the world will always welcome Bogart and Bergman, as time goes by. 



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The Muse of Us 



The What, Where, and Why of Electric Guitar. 


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Cutting It 



Ruby Munson-Hirst interviews collage artist Colin Brown.


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 Another World: Exhibition Review 


Nina Moorman visits Edinburgh's Dean Gallery for the Another World Surrealist exhibition.




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Ten Minutes To Impress


Acclaimed playwright Israel Horovitz takes up residence at the Byre to deliver a show of shorts with nine students.


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This Mad Young Man 


Shakespeare's tragedy Hamlet comes to the Byre; Gillian Carter reviews.


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Behind The Curtain


With her own play currently in the process of production, Alex Mullarky reflects on the experience of playwriting.


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Watch For This Bloke


Edinburgh-based dancer Tony Thrills comes to DanceSoc and the Byre for one day only.


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Upcoming Exhibitions: Robert Morris

Archie Turnbull examines the significance of conceptual artist Robert Morris today in his upcoming exhibition in Edinburgh, scheduled for 2011.


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The Finely-Drawn Line


Madeline H Lucas questions the credibility of modern art, and the interpretation of the 'sublime'.


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The Art of Auditioning


A look into the audition process, a process currently all around us in St Andrews, from a director's point of view.


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Adultery and Angels


Ben Cook reviews The Scarlet Letter.


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Lovely Start to Mermaids' Year

How the drama scene in St Andrews kicked off for the year 2010/11.


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The Unsung Art of Stage Managing


A stage manager reflects on how importance and invisibility go hand-in-hand for her role


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Interview with Diagram of the Heart



Michael Michael chats to the band before their performance in St Andrews



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Sargent's Scottish Stunner

Bethany Pleydell writes about the postcard that was the starting point of her love for painter John Singer Sargent.



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Tron: Ahead of its Time


The steps that took Tron from a sketchy idea in a notebook to a big-screen legend.



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 Review: 'The Dumb Waiter'

Ally Lodge reviews an Edinburgh Fringe production of Pinter's sinister yet hilarious play 'The Dumb Waiter', discovering that one-act plays can hold as much power as any other play.



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Exploring Emptiness

Michael McCreary explores the concept of emptiness; specifically mimes, one of the oldest types of performer in the world and not one to take for granted.




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The New Age of Aquarius

Cordula Schnuer experiences the West End revival of the musical Hair, a colourful portrayal of 1960s hippie culture in the States performed through song and remarkable audience interaction.




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 Review: Rosencrantz

Ben Cook reviews an Edinburgh Fringe production of Stoppard's famously absurd play 'Rosencrantz and Guildenstern Are Dead', performed faithful to the original script by a group of young students.



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Big Cities Get All The Attention

Michael Melia talks re-localizing music.



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Review: The Tallest Man On Earth

The Tribe reviews the new album from The Tallest Man on Earth: "Wild Hunt".



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Review: The Black Rebel's Motorcycle Club

The Tribe reviews "Beat the Devil's Tattoo".